When months ago I made the decision to again viewing my writing as--instead of a commercial endeavor--an enduring passion, I did so with the same drive and determination as I have faced most important decision in my life. In the beginning, the enthusiasm was as potent as any drug, I suppose. Nothing was more thrilling to me than pouring over my research, playing those sly little love gaames with words and punctuation, and delving into the cobweb-filled corridors of my long-unused imagination.
And I loved it.
When it happened that my body could not keep up with the frantic pace of my frenetically racing mind, my love affair with the written word was soured by my constant exhaustion. There is so much one wanted to give: in time, in care, in terms of quality and simple, basic respect. And "art," I was reminded, is any form, a demanding "lover." It settles for nothing less than complete and concentrated devotion, its expectations deeming unimportant the practical constraints of time. (Did I mention that at the time, I loved it?)
Now.
I sit at a loss.
What next?
How, exactly, do I progress, now that there is not doubt in my mind (or any one else's) that I am no longer up to giving to this relationship all that it asks...
This evening, despite my nightmarish interment within the walls of Yale-New Haven hospital followed by an equally discouraging week, I actually managed to drag myself out to facilitate the first meeting of my writer's group at the Elm Street library. With my two helpers on-hand, somehow I managed to give the impression of a healthy lady rather than an abysmally anemic convalescent with a hemoglobin level of 3.2! It helped that I was surrounded by enthusiastic individuals with much to contribute...Nevertheless...I'm now headed off to bed, ya'll!(Talk to you again in a month.)Meanwhile, keep writing.
Alright.It's official.The time has come to leave New Haven once and for all.For the third time in less than two months (not to mention about the tenth time this year, bearing in mind that it is only May, ya'll) one of my beloved clients has decided the time to renegotiate an agreement is after my work has been satisfactorily completed and is in his (or her) hot little hands! Life in Connecticut has not exactly been stress-free without these frustrations; nevertheless, between health issues, insane family members, political chaos, non-existent community , and socio-economic dynamics which make life nightmarish for all but the most devoted (or the most charmed) the ability, the opportunity to actually--like-- write is nonexistent.More and more have I noted the difficulty in identifying with my characters, remaining focused on my plots, or even keeping track of story lines. Dialog--my long time foe--eludes me completely. Moreover, the constant worries and distractions, I now accept despite past obstinacy, leave me in a mindset of wanting nothing less at the end (or the beginning of the day) than to bang out one-thousand words. I find myself walking into fascinating settings without even the most niggling desire to whip out paper and pen (unheard of!) Note taking has dwindled to nil, as have daily contributions to journals, "sketch" books, and my daily impressions. Mostly, though, I have noted a change in my entire attitude towards my craft, viewing writing as a job--even a chore--rather than the love it once was.Why?Because of arrogant, insensitive so-and-sos who, even as they enhance their own livelihoods as a result of my "talent", consistently minimize not only its worth but the time, the effort, the heart, the thought, and the discipline it takes. I woke up Saturday morning glowering at my journal. The lovely, navy blue, exquisitely bound, leather journal with its lovely, high-quality, gold embossed pages, and beautiful rendition of an old-fashioned quill pen, a single cadet blue cursive "u" stretched out in a bold flourish behind it (a gift from my daughter Dauriauna from February 9th of last year to ease the sting of the second "anniversary" of my mother's death) sat firmly shut on my coffee table--an over-stretched rubber band keeping both Mickey Mouse and Wite-Out Correction pen conveniently accessible--causing no harm to me or anyone else; yet, as it lay there, I detested it as though it might be worst enemy. Why? Because the last entry committed to it had been on Easter morning; because were I to take up the pen I would have nothing positive to add; because the mere thought of entering all my frustrations and aspirations--yet again--proved utterly exhausting; because I did not want to rant and rage on paper about the latest paycheck to go MIA...Because...Because I hated even the thought of writing another, single word.I had too many projects to complete in an atmosphere in no way conducive to creative thought. To put aside the activities of the day in order to delve into myself and my impressions--in order to lay open emotion, sensation, and thought--grows increasingly more difficult. To visit any of my "prized" personal projects requires reaching a "place," a state unreachable from my current physical location--a place I despise, in which no part of me finds fulfillment, security, comfort or peace, even if I am able to (fortunately) maintain the same within myself despite the surrounding environment. I was feeling overwhelmed, the sensation of hopelessness, of actually drowning actually suffocating the creative impulses within me. (It did not help that the last e-mail--or "missive," as he calls them--from my dearest friend in the whole wide world consisted of a single line which read: "All well and good, but when are you going to put this prodigious writing talent to work: ie, the story of your father's family?")
In essence:It's time to get out of here, people! This admitted, I decided the time had come to take action; thus, this week will be spent putting out "feelers" in an effort to make a fresh start. While the children are safely ensconced in their respective schools feels like the best time to pack and bag and get away fast. Already, my friends from both high school and college have been supportive, rather than listing for me all the reasons why I--even in all my stubbornness-- cannot make this happen.It's time to move on.It truly is.So,Here goes nothin'!
Here I sit at my usual table in the New Haven Public Library on Main Street, having completed my usual "Just Say NO to Being Hit On" ritual. I have moved two of the four chairs surrounding my table to another then placed my cumbersome Tinkerbell bag and jacket strategically upon the second. Next, I have plugged in my already fully-charged cell phone, tucking it between said bag and jacket lest some smooth Lothario again corner me with the "do you mind if I move these" line. (The inconvenience of disentangling the cord is a viable excuse for not freeing up this particular chair since the entire Reading Room is quite undeniably empty.) My reference books are spread out about the table, my computer centrally positioned to discourage the bold from squeezing in beside me. And, to top it all off, my best, no-nonsense "no, I am not interested in a 'friend'"demeanor is firmly in place--like well-polished armor--to turn away even the most persistent of the bold.Seems a lot to do simply to work in the library?Yes, I would say so. Still, somehow, this ritual has become a necessary part of my morning research routine. Why, I could not say. After all, I am no raving beauty, In my over-sized t-shirt and leggings, I have not dressed to impress. In truth, it never ceases to take me off-guard when males of varying ages, ethnicity, and socio-economic positions seek me out in the all but empty library in order to sit at my table making very trite, very annoying, very blatant "chit-chat" while I struggle to simply write! I have my "regulars," who pointedly seek me out, making a great production of passing my table, selecting reading materials, or placing their bundles upon my table while loudly or pointedly making their presence known. My popularity has, in fact, become something of a running joke among myself and certain members of the library staff.Before moving to New Haven, I did not realize that daily stalkings were an occupational habit of the serious writer. Naive though I may be, I had no idea that libraries were "notorious pick-up stations." Call me stupid, but I actually thought people came here to, um, read. Still, two minutes into my library routine, a man very casually (too casually, in fact) approached my pointedly isolated table. "'S supposed to rain today?" he asked, as though something in my dress, manner, or demeanor indicated identifiable meteorological abilities."I'm not sure," I replied off-handedly, careful to be neither rude nor receptive."You Jamaican?" he asked.The motivation behind the question--as I have no accent, am wearing a Phillips Exeter Academy t-shirt, and have never even been in the general vicinity of that particular island in my entire life--baffled me into making momentary eye-contact. "No," I replied, again erecting my chilly, impregnable walls of distance and resistance."You're pretty though. My name is Miguel. And yours."Usually, my response to that question is an icy glare, a menacing twisting of the lips, and a distinct, no-nonsense, "My own!" complete with disdainfully arched eye-brow. The Jamaican line having momentarily distracted me, however, I muttered, "Chance." (Not that it matters, as the name is invariably repeated back to me as "Janice," for some completely incomprehensible reason.)"I'll see you around!" he announced with the supreme confidence of one who has made a definite conquest. There was even a bit of a bounce in his step as he exited, never so much as casting a glance at the periodicals offered in this quiet corner section of the building.Thus, here I sit, sighing and shaking my head to clear my mind of its fog of incredulity. One would think I could slip easily and unobtrusively into the background. After all, Tyra Banks, people, I ain't. In fact, I consider myself actually quite plain, leading me to wonder what fascination, what blaring magnetism draws this kind of attention throughout the day every day no matter what steps I take to discourage it. My conclusion: an electromagnetic field surrounds my ancient ibook, sending out periodic signals which subconsciously hone in on desperate or lonely Lotharios, drawing them inexorably to my table. And, as I must invariably utilize this particular tool (as well as the irremovable reference materials necessary for this particular project), such interruptions must be accepted as par for the course. But geezsh!
All I want to do here is write, people.(Hmmm. The twenty-pound dictionary on its fiberglass pedestal! Albeit I usually just cross the room when the need to flip through it arises, it is quite movable. ...And it would take up quite a bit of space at my table as well. Convenience, utility, and versatility! Odd that I never though of it before!)
My name is Chanctetinyea Ouellette, a little girl who grew up in a tiny town in West Carroll Parrish Louisiana called Oak Grove. As one of ten children, I had precious little to call my own--only my imagination and the ability to rewrite life, viewing it not as it was but as all it had the potential to be then capturing that view on paper using the endless spectrum of language imagery. To unravel the thin layers of subterfuge and conditioning, upbringing and attitude, myth, denial, self-delusion, and dissembling in order to look into others and see the bared beauty of their souls came with that marvelous ability; thus, I have never taken for granted the power, the majesty, the awe-striking responsibility of the written word. Writing is my way of understanding myself and the world around me; of seeking truth, wisdom, and knowledge; it is my source of peace and my expression of displeasure; it feeds, it starves, it thirsts, and it fulfills...
In short, to write--for me--is to breathe.
Reflexively, I take in all that is around me and emit--with the stroke of a pen or the click of a keypad--the images and perceptions, sights, scents, insights, and discoveries which they form within me. Through this expression of self, I explore. I learn. I LIVE!!!!!!
