Tuesday, June 23, 2009

The Unfinished Children's Story (Excerpt of the First Draft)


Here's as far as I've gotten....

Somehow, I can't settle on a satisfactory ending. Even so, below lies the very fragmented beginnings of "The Sorcerer's Assistant":

Once, in a place so far away to as to be like unto a dream, there lived a young man,t he apprentice of a kindly sorcerer. Now, this was no ordinary boy. Yes, he was gentle and patient, very easy to like. He listened carefully to that which was told to him and took pride in serving others. He was also, unfortunately, very curious; moreover, he had the unfortunate habit of rushing through his duties rather than taking the time to perform each task to the best of his abilities.

"Use your head, boy!" the Sorcerer would often scold him. "Think before you act!" It was of no avail. His bright but headstrong ward was forever getting into trouble....and the Sorcerer forever getting him out of it.

And this one sad fact led to the one tragic event which would forever shape his life.

Apprenticed at the age of seven, he began his service by learning simple tasks--cleaning up the work area, learning to arrange and maintain the many clay pots, tubes, and bottles containing a wide array of potions and chemicals, and dutifully running any errands his teacher might require. Though he could be headstrong at times, he was not a bad or willful boy, leading the old sorcerer to grow very quickly fond of him. Further, as the sorcerer had no children of his own and the boy had lost his own father when still an infant, the two fell into quite a comfortable arrangement.

Over the next three years, in fact, they grew quite close indeed.

All the same, it must be said, the assistance was a constant source of vexation for an organized, methodical old man who liked his life "just so".

One day, as the master chemist was away, the young apprentice, charged with putting the work tables in order, was impatient to be finished. "Think, lad think!" the Master Magician had admonished before his departure. "Think before you act!" Neverthelessm without that patient but watchful eye upon him, the young man was not as meticulous as he might have been. In his haste, he rattled pots and bottles, overturned glass tubes, and did not properly wash and dry small bowls and beakers used earlier that day. As he worked, a single fly buzzed steadily about his head, annoying him greatly. Perhaps this would not have bothered him but that a small albino mouse nibbled steadily at a dried crust of bread in a far corner; meanwhile, a tiny cricket, reveling in the warmth and peace of its place by the fire, lustily sang its chirrup of pleasure. All these things, plus his eagerness to get out into the sunshine of the bright, early spring day, led the boy to do a very foolish thing: with a cry of frustration, he hurled a large, shallow earthen bowl of water (used to wash out the soiled utensils and vessels of before) in the general direction of the three, persistent pests.

A great explosion shook the room. Sparks of blue, red and green lit the smoke-filled room alongside spectacular bolts of blinding white bolts of light. Though the boy scurried here and there, desperate for cover, he could not escape the small bits of hot debris which settled upon his and clothing. Cry out though he might, none could hear him over the incessant whistles and screams of pops, booms, and bangs. And, very soon, startled by the noise and calamity, the sorcerer's small, terrified assistant crawled beneath a nearby table--followed soon after by the fly, the cricket, and the tiny white mouse--where he tearfully awaited the return of peace.
But, alas, peace was not, for him, to be.

Never again.

When at long last the fireworks came to an end, it was late into the evening. The moon shown bright and full through the large, eight-paned window on the other side of the room. All around him was darkness. And quietude. The fly ceased its buzzing. The cricket chirped no more. The mouse fell silent. Still shaking, the lad dragged himself nervously from his small shelter, noting with great fear that he did not feel as he should. His legs seemed heavy somehow, determined to each move stubbornly and in their own directions. He also noticed an odd pulling sensation behind him, as if having been crouched near the cold stone of the floor for so very long had somehow left him tethered to something beneath the table.

Still, so happy was he for a chance to escape that he paid little attention to these annoyances. As soon as he was able, he sprang to his feet and ran from the small, stone building ass fast as he was able. Only later, beneath the silver-white glare of the moon, did the poor child realize that something had gone horribly, miserably wrong.
Now, the sorcerer himself did not deal in harmful magic. He was not a man of wicked spells or evil incantations. He did, nevertheless, practice magic of all sorts, especially those requiring the use of potions and powders--which held for him a great fascination. Even so, he was always quite careful to keep his small workshop tidy, his tools and supplies in order, his bottles clearly labeled, and his instruments meticulously clean. For that reason, he often had reason to scold his young assistant, who was known to rush through his work if not properly watched and, in doing so, make any number of mistakes and blunders.

On this night, in mixing his wash-waters and failing to properly clean many of his receptacles, the lad learned a lesson he would, sadly enough, not soon forget; for when he looked down at his own body beneath in the moonlight, he cried out in sheer horror then burst into useless tears.

No longer was his right leg his right leg, but instead, an enormous fly. He recognized it to be the very same fly which had so vexed him before. No longer was his left leg his left leg, but rather a gigantic cricket. this he knew to be the very same cricket whose chirping had before filled him with such frustration. Although his head and arms were his own, his body was that of the hungry white mouse; moreover, behind him swished its tail. There they four were, locked together in a single, awkward form, undeniably one yet with thoughts, instincts and wills all their own.

Somehow, this miserable quartet managed to amble clumsily home to the tiny cottage the young man shared with his mother, younger brother, and older sister. When he arrived, it is sad to say, he was not met with sympathy or even a welcome. Instead, his own mother barred the door to him, shrieking:

"Heaven preserve us! A monster! A monster!"

His own sister, before his best friend and constant playmate, snatched up a broom, which she swung wildly about her. "Go away! Go away!" she sobbed. "Don't eat me! Please! Don't eat me!"
What hurt him most of all, though, was the instant his own brother--who had been the only father he had ever known--took the sword of their long-dead father from the wall above the fireplace and warned him, "Be gone, you evil demon, or I shall slice you in two."
It seemed he no longer had a home. He no longer had a family! Devastated, he and his companions scrambled back to the only place they could think to go: the workshop of the old sorcerer. As the hour had been well passed midnight, they curled as best they could in a ball in one, lonely corner, where they trembled and lamented until finally falling into an uneasy sleep. It was there the wise old man found them the next morning.
"By the stars above, boy!" he howled. "What have you done?"
Between his sobs and hiccups, above the chirping of the cricket, the squeaking of the mouse, and the furious fluttering of the fly's wings, he somehow managed to relay his pathetic tale. When he was finished, the sorcerer could only shake his head in wearied disbelief and set to work making things right. Try as he would, though, even he could not undo what had been so foolishly done; and there was nothing for the boy to do but accept his grim fate.
So it was he--for as time went by, the four companions began to share one another's thoughts and anticipate each other's moods almost as though one being...though not quite--was taken in by the wily sorcerer; and although his master could not pretend to be unaware of his strange and grotesque condition, he grew to love the boy in spite of it...in some cases, even because of it! As the years blew slowly, deliberately, inevitably away--like sands of an eternal beach stirred by the winds of time--they two became like father and son; so much so that neither could recall--even if he so desired--a moment when they had not been together.

Just because the sorcerer himself accepted the lad, however, did not mean the people of the village were as kind. Over the years, the lad had become the subject of much talk, the object of a great many fears. Albeit few knew the details of his grotesque transformation (many thinking him to be the actual son of the sorcerer brought to life, somehow, through the darkest of evil magic), nearly everyone in the surrounding area knew of him. And, even though he usually wore a great, thick velvet cape which concealed all but his head, arms, and--on occasion--his long, pink mouse's tail, all who lived near him (even if they had not seen it for themselves) had heard stores of his monstrous form. As such, the boy was referred to by many names. Some called him the Fly Boy, others the Cricket. Regardless, he was an object of fascination, feared and reviled by everyone around him.

Nevertheless, by his sixteenth year, he had become a fixture in the life of the sorcerer. Hence, because the Sorcerer himself was either loved or hated, feared or adored, known or known of by any and all, so--too--was his beloved son.

That is not to say, however, that the Sorcerer's Assistant had grown any less headstrong, and less determined, or any less reckless than he had been in his youth.
Now, it happened one day that the great Magician was called away to serve a wealthy family with ties, it was thought, to the king. Immediately, he attached his finest covered wagon (filled with his necessary supplies and potions) to his best horses (huge gray stallions with white-gold manes whose flanks gleamed even in the morning sun) and made ready to answer the summons.

One must understand that the old man was quite an important figure. His duties were really quite extensive. Being a man of many wondrous talents, when anyone had a problem or dilemma, complaint or illness, question or concern, he was usually enlisted to assist them. And his authority was never challenged--not even by nobles themselves--for such an impressive figure was he. Few, in fact, dared even to speak to him. Standing head, shoulders, and chest above the king himself with the eyes of a wily hawk, a flowing white beard, and thick white brows which some were sure might actually themselves speak when spoken to--he was rarely turned away from any door. Furthermore, any one who had need of his services never had reason to regret having called upon them.

When the Great man was away, he left his son in charge. By now, the Sorcerer's Assistant had learned a great deal from his teacher. And, though his startling appearance made him leery of venturing out on his own, those who knew of him were not opposed to speaking to him as a means to reach the sorcerer himself because of the Sorcerers reputation and renown. Now and then, the young man still made mistakes--either by hurrying or skipping steps, failing to listen or being distracted by his own curiosity. Luckily for him, his other "selves" the Fly, the Cricket, and the Mouse, were on hand to show him the error of his impetuous ways.

It was a cold, winter's morn when the Sorcerer departed on this fortnight's journey. As always, he was a bit uneasy about leaving the boy. Oh, it was not that he did not trust him...quite. No. As a man who dealt with magic, he knew well the havoc that magic could make. He also realized that even though his son grew wiser and more responsible each day, he was still quite young; furthermore, when making tough decisions the boy had trouble, at times, making up his mind...as would any one who had four minds to make up!

"You are sure you will be fine here alone," he asked with a wiggle of those living brows.

"Yes, my father." Underneath the cloak, the Fly began to impatiently flutter its wings.
The Sorcerer climbed up into his driver's seat and slowly took the reins. "There is nothing you would ask me before I go?"

"No, my father." And beneath the cloak, the Cricket rubbed together its long, shiny legs.

The old man stared at his son. There was much he would have said to him, had he the luxury; unfortunately, he was already past his time, and the matter that awaited him was one of some urgency. So,with one last tug of his long, curling white beard, he gave the reins a powerful flick. Four silver horses.

No sooner than the Wizard's caravan vanished behind that first hill did his Assistant hear an urgent knock on the door. At the time, he had been labeling vials and making lists of which potions and chemicals most needed replacing--a task which irritated the impatient Fly, made the Cricket jumpy, and caused the Mouse to argue with and correct him at every turn. So it was that unexpected intrusion annoyed him to no end. So exasperated was he, in fact, that he quite forgot to throw on his enormous black cloak before throwing open the heavy metal door.

"Who disturbs me at this hour of the day!" he thundered.

Outside stood a tiny little man. He wore a coarse, burlap tunic of coarse, raw-wool leggings and looked for all the world like a hungry hound cowering from its master's boot. The early morning sun shone from the top his his shiny red pate, and in his tiny little hands he hold a flat rectangle--taller by a full head than he--wrapped in thick brown paper and tied with rough yellow twine. This poor, bedraggled fellow (who had already worked himself up into quite a state at the prospect of having to face the towering Sorcerer) nearly fainted dead away at the sight of this horrifying, three-headed creature. So terrified was he that he dropped his delivery outright and fled without a word of explanation.

"Well, isn't this a fine thing!" muttered the apprentice, as he bent awkwardly to retrieve the bundle. Lifting things often proved difficult for his, as the Mouse--used to moving about on all fours, not upright--claimed it hurt his back, the Fly complained his legs were not strong, and the Cricket tended to leap and cavort about at the oddest times. Somehow, though, he managed to angle the heavy thing into the shop, where he propped it against a far wall. There it would have remained, untouched, had something fantastic not taken place.

The packet itself stood opposite the huge stone fireplace, which the work table faced. So, when the brown paper fell away, the light from the flames reflected on its polished black surface, filling the room with an eerie glow. Even though his back was turned, the Sorcerer's Assistant could feel the strange, icy glare of it against his bare, white fur, and he spun around to see what had happened.

"Why it was like a snake shedding his skin!" he said to himself.

The Cricket agreed.

Now, the Mouse wanted to run from it. The Fly buzzed and fluttered its wings, forgetting (as it often did) that it could no longer take flight at will (though it could fly, after a fashion, if the need arose). As for the Cricket, he tended to face every situation with good humor and a song; yet even he found himself just the tiniest bit leery of that ominous black glass.

The Sorcerer's Assistant, however, was curious. "Oh, don't be so foolish!" the boy snapped at no one and everyone in particular. "It's only a looking glass, after all."
With that, he drew closer, dragging the others through the sheer strength of his stubborn will. It seemed to the young man, as he moved nearer, that the black glass surface began to pull him in. What began as a solid, shining surface began to swirl, as though some powerful whirlpool lay just on the other side of it, sucking at not only the mirror itself but everything it held in its glare.

Now, anyone else would have immediately backed away. And, given the dire consequences of acting without thought before, one would have thought that he of all people would thought twice, then thought again before approaching it. Not so the apprentice.

"Odd," he muttered, then stretched out his hand to touch it.
The Mouse chipped angrily. The Fly buzzed its wings, nearly lifting them all off the floor. Even the Cricket stopped chirping and began to fidget and bounce on its great, spiky legs...all to no avail. The boy simply had to know what manner of glass this was, and what made it appear to be moving when clearly, it was quite still.

He lay his palm flat on its surface. No sooner than he touched it did the mirror grow fiery hot. He cried out in pain, but for some reason, he could not pull his hand free. Whimpering with fright, he pulled and twisted, tugged and jerked, wrenched and wriggled, but nothing he did loosened his hand from the glass.

This was not a good thing!

He absolutely could not face the sorcerer! Not having disobeyed his Teacher again! What would he say? What would he do? Surely even such a man as great as he would lose patience after a while. Surely even he could not forgive always.

He thought of the Teacher's disapproval. This made him tug harder, fight more fiercely. He twisted and turn, wrenching until he thought his arm would jerk free of his shoulder...to no avail. There was no question about it. He was stuck tight.

"Now what do I do?"

The cricket stretched one leg over the other and began to make shrill, screeching sounds that made the Assistant cry out and cover his ears. It grew louder and louder until the air itself seemed to be rent in two by the sharp, splitting sounds.
"Stop it!" the lad bellowed. "What are you doing?" And, with his free hand he swatted at the steadily moving legs. It was then that he noticed something remarkable!

With each note, the mirror throbbed.

It throbbed and pulsed, like the heartbeat of a living thing

Now, of all of them, only the mouse had no actual head. that was because, at times, he and the boy shared that particular part. At that very moment, the lad's glossy black curls became stark white fur, and a pair of powerful front teeth appeared, with which he gnawed easily through the thick hemp of the rope.

On the other side of that black glass, however, they were again four separate beings: the Fly, the Cricket, the Mouse, and the Boy.

The world beyond the black glass was dark and distorted. Even the solid things about him twisted and faded, as though made of wisps of smoke; yet to the touch, they were substantial...and very real.

He could not understand it!

"Think! THINK!"he could hear the Wizard reminding him. "Think before you act!"

As the light struck the Crystal Steeple, it exploded into a blinding spectrum of color.

Another Day


Last night, my nineteen-year-old son presided over my writer's group. I was still not strong enough to assume my duties. Frustration, therefore, is theme of my current existence.

Even so, I am determined to get at least a bit of writing done: perhaps I might even track down that elusive ending to the children's tale which wrote (then put aside) months ago!


Sunday, June 21, 2009

Crises

My children--having had no contact with my estranged husband in over three years and, unfortunately, preferring it that way--have declared today "National Fatherhood Crisis Day". I myself would prefer to think of it as my own personal Writer's Crisis Sunday.

Not a thought, not an idea, not the slightest inclination to put words to "paper." This is becoming alarming. Even though my journal serves as the last refuge from complete and utter literary exile, I am determined this day to awaken my brain, stimulate my senses, and have a bit of fun with my writing today.

Once again,

To quote the title of the movie (and didn't you just love the ex-husband in that one!):

"Something's Gotta Give"!!!!!!

Wednesday, June 17, 2009

Getting Back Into the Swing Of Things

The last month has seen me struggling with health issues once again, which I found--naturally--quite disheartening. Not only have I found myself unable to attend many of the functions or indulge in the activities which bring me the most pleasure but I have not written much of anything in the past month. Oh, to keep my mind nimble (not to mention geared towards creating) I have spent much of my convalescence attempting to read; nevertheless, it is so very frustrating to find myself too tired, too listless, to drained to actually write.

"...Life sucks...and you are a warrior...."


This is what my "best" friend in California had to say on the subject. And, as usual, the levity cheered me up just long enough to give me no choice but to put things into perspective. Despite my moaning and groaning--not to mention my spiels of very creative lamentations--given the severity of things, the situation could have easily been far worse. Thus and therefore, the time has come to push myself back into the "swing of things," albeit the very prospect of having to unravel nearly six weeks of untouched manuscripts, missed appointments, unanswered e-mails, and piles of correspondence leaves me cringing.


So, here goes!


I am now re-entering the Land of the Living!



Monday, June 15, 2009

Are Artists Actually Valued?


This day finds me somewhat discouraged--not at all my natural state of being. For the past month, very low red blood cell counts have kept me quite undeniably incapacitated.

Bluntly put, I have been too weak to do much more than sleep.

Most frustrating in all this (besides being unable to fully enjoy these brief summer months with my rapidly growing children) has been the complete inability to write during this time. As I lay beneath my covers on my love seat struggling to will, bully, and cajole my traitorous body to conform to some semblance of health, the days have lapsed--formless, shapeless, and identical in that maddening sameness of inactivity. The mere act of forming organized thoughts, be it to speak, think, or (heaven forbid) actually write requires while I recuperate supreme exercises in determination, concentration, and sheer stubborn will--all of which, I am learning, prove a notable drain on my energy and stamina.

For a woman not yet forty, it is a humbling and infuriating state of affairs.

Most frustrating of late, however, has proven to be (of all things) organizing the fledgling writers' discussion group at the local library. Were it possible to hold the gatherings in my own tiny apartment, I would, for--in my mind, at least--the invaluable exchange of experiences and ideas truly demands an atmosphere of hospitality. After all, one's writing can be so very personal, such an integral part of one's being that relaxation, developing a degree of trust and comfort with other members of the group can be pivotal for many of those learning to share their works with others. I suppose, as a writer, I am quite sensitive to, extremely passionate about this. Thus, when after four long years of calling, pursuing, and getting the run-around with regards to organizing the group in the first place I am told that the basic effort of providing coffee and/or tea--even when I volunteer to provide the coffee itself and even drag a coffeemaker from home--is treated like an imposition, I find myself wondering if the whole matter is worth the effort.

To be truthful, my frustrations run far deeper than serving coffee. Discouraging for me is the ever-present, ever-growing disdain for writers--for artists in general--and what we do. The prevailing attitude seems to be that anyone can write, leaving no room for even the slightest degree of appreciation for the creative process, for the energy, the talent, the imagination inherent in the writing process. No, I do not consider myself one of the "greats"...yet; nevertheless, I strive daily to achieve my own personal greatness, as do the men and women I consider my contemporaries. Even though the days of sincere art appreciation seem, at times, far behind us, one would like to think that within our society exists a small core of enthusiasts willing to in some way encourage the creative process, the development of great (or at least imaginative, innovative) thought. It is based upon that belief (perhaps, I am learning, quite naively so) that I was willing to drag myself up from my love seat, ignore the racing and pounding of my heart, the dark veil of disorientation lowering itself over my senses, and the constant struggle to remain lucid despite the lack of oxygen to the brain in order to drag myself to the library, paste a big grin on my face, and soak in the waves of fresh ideas, of imagination and vitality flowing from the writers who arrived willing and brave enough to share their hopes, joys, triumphs and failures with a group of complete strangers in the optimistic hope of somehow forming a connection in the form of a single, supportive, entity designed to encourage, enhance, and otherwise affirm each individual's foray into the realm of writing.

If, however, even basic encouragement cannot be found in the local library (!)...

What does that say about the attitude towards the creative process (in this case, as it pertains to local writers and the encouragement of those writers) in general?

Once, there existed a belief that great talent, artistic energy, creative thinkers provided such profound benefits to society in general that any and all efforts to nurture their development were well justified; as such, there were often benefactors--if their "only" contribution was avid, sincere encouragement--ready, willing, an eager to "support" the arts.

Now?

We can't even get a cup of coffee.

Monday, June 8, 2009

Writers Wanted! (The New Long-Anticipated Writers' Discussion Group)


This evening, despite my nightmarish interment within the walls of Yale-New Haven hospital followed by an equally discouraging week, I actually managed to drag myself out to facilitate the first meeting of my writer's group at the Elm Street library. With my two helpers on-hand, somehow I managed to give the impression of a healthy lady rather than an abysmally anemic convalescent with a hemoglobin level of 3.2! It helped that I was surrounded by enthusiastic individuals with much to contribute... Nevertheless... I'm now headed off to bed, ya'll! (Talk to you again in a month.) Meanwhile, keep writing.

Thursday, May 28, 2009

Reason #3023 Why I Detest Connecticut

Here I sit in the waiting room at Yale-New Haven Hospital. Here have I been since nine-twenty this evening. Why am I here? Chest pains...and hemoglobin and hematocrit readings which have probably sunk below sea level.

As my arm, face, and legs go numb, I listen in fascination as I am told by uncaring nurses in the infuriating sing-song voices reserved for the very young (or the very stupid) , "It's because you're getting anxious there,ma'am. It's your breathing."

My breathing.

Foolish me.

I thought it was the dizziness, lack of blood, and erratic heart beat.

This is what comes of touting the benefits of the medical profession (of any profession) based upon prestige, primarily upon pay packets. In a hospital bearing the name of supposedly one of the most famous and "prestigious" universities in the nation, not even the basic vestiges of human decency, compassion, or professionalism are present. Stone-faced security guards joke with one another, flirt with female registrars, and exchange jovial pleasantries with familiar passersby with seemingly no regard for the suffering of those left to wait hours to be seen.

(And people ask me why I choose to suffer in "isolation" in my apartment, ya'll.)

Though it has taken everything in me not to shout out in pain, in frustration, in outrage, I have succeeded. Though obviously, we who await care are less than human, I will neither forego nor deny my own, basic human dignity. The mind may be a bit fuzzy ("anxiety," don't you know); nevertheless, regardless of the callous, condescending, often dehumanizing treatment (one of my main reasons for deciding to move to Colorado), I know that I am still a human being; that my pain and suffering have merit; that my voice is one which deserves to be heard.

In the mundane ritual of day-to-day living, perhaps we take for granted that simple truth of having not only worth as human beings but also having the right to be seen as such, to be treated as such. As I pound away, using the gentle ebb and flow of written words to bring peace, solace, succor into the midst of such insanity (not to mention agony people), I am reminded of the power of an opinion expressed, an outrage noted, a stand taken. I might not be quite able to fight the good fight at this moment, people: yet, in this situation resides yet another story to be told, another truth to be explored. This issue of dehumanization--in the refusal to recognize the pain of others, in causing harm when the creed reportedly ascribed to is "first do no harm"--is one which can be explored in depth another day.

For the moment, however...

The question is:

WHY!?!?!?!?!?!?